Drake and Future have been teasing the idea of a joint mixtape for awhile but, like any promise of a joint tape, it was mostly disregarded as a fan service-y tease. Then it was announced that there was indeed a record that had been put together that was expected to be released soon. Despite this, there was a feeling that this album was just a troll and that it wouldn’t actually come out; there was even a countdown website for it that froze once it got to 6 seconds and never materialized into anything. It was starting to look like a sure bet that this record wasn’t going to happen and a not-insignificant number of people were pretty ok with that. But then Sunday night happened and Drake premiered songs from the album on his Beats1 radio show OVOsound. So now we have an album: What A Time To Be Alive; an album that I’ve listened to about 4 times now that I’m mostly pleased to announce is pretty good.
Part of this favorable feeling has to do with the fact that I came in with low expectations. Future is on a tear right now: since October 2014 he’s released 3 great mixtapes and a great album but better than that is he’s actually being appreciated for them while they are happening. He’s been the wave for 2015 and Drake, like his true mentor Jay Z, was absolutely guaranteed to find a way to surf along it. Drake is the biggest star in the game right now, possibly more so than Kanye, and (possibly as a result) is also the biggest opportunist. Jumping on hot songs or potentially hot songs or songs he wishes he had made first and “boosting” them with the Drake effect™. Who benefits more from the Drake effect is of great debate, a lot of the time though it feels like a platform to promote Drake as relevant while another artists gets as much shine as they can before the crowds disperse.
With that being said, the most pleasant surprise about this album is that this album is mostly on Future’s terms. Metro Boomin is a co-producer on all but one song and Future takes the lead on the majority of songs. On most Drake-featured songs, everyone is just an opening act for Drake but here Future gets to be Batman while Drake plays… well not Robin but, I don’t know Catwoman or something. The album is better for it and goes on to further prove that nobody is seeing Future and his reliable cast of producers, particularly Metro Boomin. So with that said, let’s rank these songs:
This is the one. This is the crash your car into a tree on purpose because the drugs made you do it record. CHICKEN WINGS AND FRIES, WE DON’T GO ON DATES; come on son. Fuck your candlelight dinner and your Netflix and chill, you better come get this 5 dollar box from Popeye’s with me. Future is the star of this tape sometimes, seemingly, by design and the album does its best to keep up with his energy and his sound. Metro Boomin showed out all over this record and on this song, Drake has his best “trying to keep up with Future’s energy” performance here. This is the soundtrack to Actavis suicide.
2. Diamonds Dancing
This is probably my personal favorite song on the record and I’m kind of a little bit ashamed of this fact. Out of all the songs on this record, this feels the most on Drake’s terms –mostly, in that, this is his crocodile tears beta man song about whatever girl pissed him off by being independent this week. But, once again, Metro helps put together something really special for this record and Future is one of my favorites at melding introspective sensitivity and greasy aggression. The Drake tirade at the end should bump this down a few spots but somehow it doesn’t; this is his best performance on the album honestly. He’s in his comfort zone, plus him and Future get to harmonize on the chorus like fucking Kenny Rogers and Dolly Parton on this shit. It can’t lose.
3. I’m The Plug
“I’m The Plug” is such a good Future song and I wish Drake wasn’t on it. But sure go ahead Drizzy tell us about how you’re really the plug. Like really. I mean that’s what all those Paulie from Goodfellas tracksuits were about right?
Drake probably paid for so many stripper’s degrees. I mean it’s a good thing; education is important. Speaking of which:
5. Plastic Bag
Come on, you didn’t think you were getting a Drake and Future album without a strip club ballad. You know, something to serenade your favorite dancer with at the booty club of your choosing. Let her know it’s a good night to dance on you. You gonna go broke by the time this song is over and it’s only like 4 minutes long. It’s all good though, she deserves it. “Magic City on a Monday/We worship there like a Sunday” needs to be framed somewhere in your home immediately.
This is the solo Future joint and he’s in full-victory lap mode. “You do what you want when you poppin”, you damn right bruh! Talk yo shit! Future has had an incredible run this year and plenty has been said about the fact. I wasn’t in love with Honest but I felt like it’s outright dismissal was pretty unfair. This attitude served as solid motivation for him though and look where we’re at now. He really did catch the wave.
7. Change Locations
“Me and my friends we got money to spend”
8. Digital Dash
The albums hits the gas right from jump, making you already second guess your fear about this album coming to fruition. That’s hot takeish sure but we live in the age of the instant reaction, which, if it’s done nothing else good, it’s at least caused an influx of good album intros. “I might take Quentin to Follies” is peak-troll Drake by the way, that guy is adorable sometimes.
9. Big Rings
I’m not a fan of Drake’s chorus but whatever. It’ll be fun to scream out whilst drunk in the club spending money you can’t afford to be spending. We blowing the whole rent check at the strip club for our tings. Sidenote: “You just a battle rapper, I’m an official trapper”, who’s that for Future? Because I know of a particular battle rapper right now who seems to be having a misunderstanding with your album partner right now. Are you choosing sides bruh? Being a little bit of a shady boots or nah?
10. Live From The Gutter
Honestly, this would be higher but I enjoy the Young Thug version of this Metro beat more.
Future’s good on it too though and also lol at Drake being on a song called “Live From The Gutter”. Get your authenticity points like Pokemon my guy.
11. 30 For 30
This is the Drake solo song. It’s fine. Drake does his Drake thing that he’s been doing for long enough that it barely even registers with me much anymore. It’s all just… fine. He’s the Alabama Crimson Tide quarterback of rap.
And that’s it. Something that could’ve been awful turned out alright. However you feel about these two artists, they provided for a fun night on the internet that will probably go on for at least the rest of the week. Thank God for Metro Boomin, and, despite all the players in this, somehow one of the biggest winners in this whole thing will probably be Ernest Baker. What a time to be alive indeed.
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