Tag Archives: lupe fiasco

Photo credit: © WGBH Educational Foundation

If you’re like me than you wake up early every morning to go to your soul crushing job that you don’t openly complain about too much because you’re just happy to be working anywhere right now, and if you happened to stop by twitter perchance you might have soon Lupe Fiasco in the midst of one of his pseudo-intellectual rants on whatever he’s angry about now. This is nothing new but what made this particular one interesting to me is a short little convo between him and black hippy’s self-proclaimed “Haile Selassie of Hip-Hop” Ab-Soul about the Pyramids.

The classic debate that always takes place when the pyramids come up: who built them exactly. Lupe takes the rational argument that slaves built them over decades and decades whereas Ab-Soul takes the conspiracist stance that just maybe aliens or some other mystic force had something to do with it. Fine, I guess, as long as we agree that they’re not instruments of satan as stated by series of badly made youtube videos.

This is a touchy subject I think. On the one hand, the idea that the Africans who spent lifetimes going through abuse of every conceivable kind to make elaborate coffins for their overlords aren’t even getting the credit they deserve for it pisses me off. Yet, I am nothing but fair and I am willing to acknowledge te fact that there are  a lot of questions left unanswered as to just how these estimated 20,000 people were able to pull this off in the amount of time they did. Fair enough, but the human tendency of going “it must be magic” when they don’t understand something doesn’t really seem like the way to solve the mystery. That being said though, I kind of believe it’s a little bit of both.

In an interview with NOVA, archeologist Mark Lehner, who lived in Egypt for 13 years, says himself that he’s questioned whether or not those workers had divine or super-intelligent inspiration. He says the biggest problem with the journey to find understanding of who built these pyramids is that there’s no record of them. They’ve been lost because they were nothing more than workers, but we do have inscriptions and graffiti art left by different tribes from that era (which naturally people call fake), so we’ll have to make do with that. Ab-Soul brought up the idea of ascension–the idea that you didn’t have to die to be brought up into heaven. Definitely an idea that existed in ancient egyptian culture and probably has something to do with the positioning of the pyramids and aligning them with the stars. There will always be skeptics, hell even I believe in some of the mystics behind the whole ordeal but the idea of discrediting the work of a generation of people rubs me the wrong way–and that includes the less out there theory that it must’ve been an older generation that built them and not the egyptians. For this though, I’ll end with a quote from Lehner:

“To some extent I think we feel the need to look for a lost civilization on time’s other horizon because we feel lost in our civilization, and somehow we don’t want to face the little man behind the curtain as you had in “The Wizard of Oz.” We want the great and powerful wizard with all the sound and fury. You know, go get me the broomstick of the Wicked Witch of the West. We want that sound and fury. We always want more out of the past than it really is.”

At what point does rap music have to take responsibility for a destructive culture it’s helped to manifest?
Rap music has spent years taking listeners on a journey through a rough jungle of decadence, violence, history, philosophy and sex throughout its existence and, at times, it could be argued that it has gone too far at times. It’s at these times where the rap community (and it’s defendants) have come to its rescue —with the most readily available scapegoat being: “We’re speaking a truth about an environment we’re from”. By all accounts, this is pretty much true; rap and hip-hop culture spawned from the ugliness of living in poverty and violence. It was an escape from that place (whether mentally or physically through success), but more-so than that it was a testament and portrait of the other America, the place where the American dream doesn’t take place.

This argument can only go so far though, and after all steps need to be taken back, the scene needs to be purveyed and we need to evaluate whether we’re still telling a story or if we’re just nurturing a culture of violence. It’s hard to tell a kid living in abject poverty how to live a righteous life when he can’t put food in his stomach, it’s also hard to convince that same kid that crime doesn’t pay when all he has to do is turn on tv and become inundated with the message that it actually does pay. It’s a complex issue handling these types of situations, and naturally when something is too complex for us, instead of trying to deal with it we just sweep it under the rug as nothing more than a black and white issue that’s not our problem.

The truth is: all we have are the quandaries. A subject like this is such an enigma where every answer you can come up with leads to a dead end. Society is fucked; violence takes place because of the nature of living in turmoil, violence is celebrated in music, movies and television because that’s all we know and music is pushed to the masses because it’s profitable and—to paraphrase Breaking Bad—companies aren’t in the morality business, they’re in the empire business.

All we have our the moments where rational people can sit and discuss what is happening under our noses. The biggest issue with this though is that those same rational people aren’t taking part in saving these areas that they’re so torn up about. As someone who’s volunteered to at-risk youth, I know from experience that you should consider yourself lucky if you can save one; no matter how much time you spend with these kids, no matter what you try to tell them, when it’s all said and done you’ll leave and those kids will go back to that environment and culture of destruction that is sculpting their minds every day.

Violence is a natural function of life. It’s everywhere, always has been and always will be. Entire cultures and colonies were built on violence. (including this one.) We’re born violent; when we come out of the womb, we come out kicking and screaming. As we grow older society tells us our violent nature is wrong and tells us to stifle it. But stifling our nature doesn’t erase it, and the difference between areas with little to no violence and areas that are heavily violent is the rules we apply to ourselves. If you’re starving than you do whatever you need to just to eat, that’s just a given; there are neighborhoods are full of people starving and their pleas for food have gone ignored. Maybe there’s a chance that rap is just nurturing this mentality more than educating about it—it’s a high possibility; but, at the same time, no matter how much bloodshed has taken place in Chicago or New Orleans, it’s a helluva lot less than what’s taking place in countries all over the world. Not saying it because that makes the situation better, just saying it because it’s true. It’s a violent world. Just as societies have denigrated and destroyed themselves because of violence, no society has made any sort of “progression” without it.

The beauty and the shame that comes from gangster rap music is that it gives a microphone to America’s forgotten children. From N.W.A., blasting street knowledge about being poor, angry and black with the kind of reckless abandon that can only come with youth to Chief Keef conveying that same abandon, albeit in a different way entirely. T.I. referred to Chief Keef as the future, the sad thing is he might be right. I’m not going to talk shit about him because I like the kid, I just think he’s incredibly misguided and has no idea just how grand the ramifications of his actions are–and that’s what makes him the voice of this new generation. A generation of mentally unstable young kids with no direction and no guidance from anyone, taking their cues from a culture that tells them their worth is based on what’s in their pockets and has taken guerrilla-like machismo and stylized prostitution and labeled it swag. George Carlin has a great bit about why man is driven to violence, basically saying that our need as men to destroy everything can be deconstructed to be just one big, “who’s got the bigger dick” contest. It only makes sense that that a culture as degraded and jaded as the black culture participate so heavily in this act.
However when all this is said and done, I’m still speaking in generalities. Violence is everywhere and in every culture, long before there was any music. (Not to speak of rap.) There is no direct correlation between rap music and violence, but that doesn’t excuse it. It’s nice to think that if the music was positive or, at least, cautionary then maybe things would be better and lives would be saved. I’m sure a few would. The issue though, lies in every other factor that drives these kids to take a person’s life. When Lupe Fiasco went on record to say that chief Keef scares him, he’s not speaking on him personally he’s speaking on an environment that made him who he is. The greatest American catastrophe that’s taking place right now is happening in the development of our youth, and it just shouldn’t be that way. The children are our future and each day that passes the future becomes desolate, and all one can really do is hope that those roses that will grow from the concrete bloom bright enough to turn it around.

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